Mark Cypher
an exhibition of sculpture by Mark Cypher
pity this busy monster,manunkind,
not. Progress is a comfortable disease:
your victim(death and life safely beyond)
plays with the bigness of his littleness
-electrons deify one razorblade
into a mountainrange;lenses extend
unwish through curving wherewhen until unwish
returns on its unself.
A world of made
is not a world of born-pity poor flesh
and trees,poor stars and stones,but never this
fine specimen of hypermagical
ultraomnipotence. We doctors know
a hopeless case if-listen:there's a hell
of a good universe next door;let's go
pity this busy monster,manunkind... (XIV) E. E. Cummings
not. Progress is a comfortable disease:
your victim(death and life safely beyond)
plays with the bigness of his littleness
-electrons deify one razorblade
into a mountainrange;lenses extend
unwish through curving wherewhen until unwish
returns on its unself.
A world of made
is not a world of born-pity poor flesh
and trees,poor stars and stones,but never this
fine specimen of hypermagical
ultraomnipotence. We doctors know
a hopeless case if-listen:there's a hell
of a good universe next door;let's go
pity this busy monster,manunkind... (XIV) E. E. Cummings
The following works are from a solo exhibition held at the Perth Institute of Contemporary Art, Perth, Western Australia in 1994.
Peeled, 1994, Wood Steel, 2.5m x 1.5m x .2m
Hand of God, 1994, Plastic,Wood,LPG gas-1.5m x 1m x .5m
Blow Job, 1994, Couch, Pump, Latex
Blow Job, 1994, Couch, Pump, Latex
Who's Afraid of the Big Bad Nature, 1994, Cibachrome Photographs
